Wednesday, September 28, 2011

Crossroads

  • Peter begins having doubts about his calling as a Jesuit priest. Trading the mundane life of celibacy and servitude for a more stimulating one of wife and family begins to look appealing. Giving the priesthood one last try, Peter agrees to work at a mission on the Louisiana Gulf Coast. Life becomes even more confusing when he becomes attracted to Jill, a beautiful volunteer who returns his affecti
CROSSROADS - DVD Movie

LINDA FIORENTINO BRIDGET GREGORY/WENDY KROY THE LAST SEDUCTION 8X10 PHOTO

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Bridget Gregory (Linda Fiorentino) seems to have it all: beauty intelligence and a marriage to Clay a wealthy physician (Bill Pullman). But everything isn't enough for Bridget who persuades her husband to make dirty deals on prescription drugs and then runs with the profit. Now incognito in a mid-American small town. Bridget draws a naive local Mike Swale (Peter Berg) into a smoldering affair.Passion greed and revenge forge a desperate triangle between the three as Bridget draws her unknowing victims deeper into her deadly web of deceit. System Requirements:Running Time: 110 MinFormat: DVD MOVIE Genre: MYSTERY/SUSPENSE Rating: R UPC: 012236132172 Manufacturer No: 13217Whew. Linda Fiorentino is li! ke a home-grown apocalyptic nightmare as the sizzling, sexy dame who thinks "sharing" is a dirty word. Fiorentino, a master of the double-cross, hooks up with naive Peter Berg, a nice guy desperate for a little adventure. There are endless twists to this cleverly vicious story, but the real draw is Fiorentino, whose performance is brilliant. She is the Everywoman you never want to meet: cool as ice, passionate, tough, self-satisfied, smart, and amoral. Bill Pullman is a surprise as a Machiavellian doctor who is almost her match. Definitely not a date flick, as this represents one vicious battle in the sexual wars. --Rochelle O'Gorman GOTCHA - DVD MovieBefore he started losing his hair (which gave his baby face the maturity it needed for him to be taken seriously as a doctor on E.R.), Anthony Edwards was the quintessential juvenile lead, college division. That is what he plays here: a college kid who is campus champ at an assassination game called Gotcha (that! uses fake guns). Then he goes on a summer vacation behind the! Iron Cu rtain (before it came tumbling down) and falls for a female operative (Linda Fiorentino), who not only uses him as an unsuspecting courier for spy stuff but makes him a fall guy, as well. When he finally extricates himself from the trouble, the trouble follows him back to campus. Silly and far-fetched, though Edwards has that wounded-puppy look down perfectly. --Marshall FineWhew. Linda Fiorentino is like a home-grown apocalyptic nightmare as the sizzling, sexy dame who thinks "sharing" is a dirty word. Fiorentino, a master of the double-cross, hooks up with naive Peter Berg, a nice guy desperate for a little adventure. There are endless twists to this cleverly vicious story, but the real draw is Fiorentino, whose performance is brilliant. She is the Everywoman you never want to meet: cool as ice, passionate, tough, self-satisfied, smart, and amoral. Bill Pullman is a surprise as a Machiavellian doctor who is almost her match. Definitely not a date flick, as this repr! esents one vicious battle in the sexual wars. --Rochelle O'Gorman Neither director William Friedkin nor star David Caruso could redeem this vulgar, nasty script by Joe Eszterhas. Caruso is a politically ambitious assistant D.A. investigating the gruesome murder of a San Francisco bigwig. Too many clues point in the direction of his former girlfriend (Linda Fiorentino), a shrink who has a secret sideline as call girl to the rich and kinky. For good measure, she's now married to Caruso's best friend, Chazz Palminteri. Friedkin has done much better work in other places; even he can't perform much magic here, though he tries, with a solid car chase (that suffers in comparison to those he staged in French Connection and To Live and Die in L.A.). --Marshall FineWhat is it like to enter into the mind of a psychopathic killer, to experience his thoughts...and the thoughts of his victims during their last, terror-stricken moments? David Krane (Ray Liotta,! Hannibal) is about to risk his sanity and his life to find ou! t. From the acclaimed director of The Last Seduction comes this well-paced, stylish (The Washington Post) thriller that propelsyou into a hallucinatory realm of heart-stopping suspense that never lets up.Accused of murdering his wife years ago in a blind, alcoholic rage, Krane is desperate to clear his name and discover the identity of the real killer. When local researcher Martha Briggs (Linda Fiorentino, The Last Seduction, Jade) unveils an experimental drug that allows the user to relive the memories of another person, living or dead, Krane sees his chance. Stealing a dose of the dangerously unstable compound, he injects himselfand embarks on a mind-bending quest for the truth that will plunge him into a realm of physical and psychic peril beyond his wildest nightmares.A string of insurmountable gaps in logic keeps this science fiction/thriller hybrid from director John Dahl (Joy Ride, The Last Seduction) from fully developing its intriguing premise. Ray Liotta st! ars as a medical examiner who is obsessed with finding his wife's killer. A possible solution is found in neurobiologist Linda Fiorentino's experimental serum, which transfers memories from one person to another--even from the deceased. Liotta injects himself with the serum, which allows him harrowing glimpses into other people's minds. But while each dose brings him closer to identifying the killer, it also puts him one step nearer to death. Dahl keeps the film moving briskly and wraps it in noirish photography, but he's let down by Bill Geddie's script, which asks viewers to swallow some implausible notions (the instantaneous success of the experimental serum, for one). --Paul GaitaVision Quest is a coming of age movie in which high school wrestler Louden Swain (Matthew Modine) decides he wants to be something more than an average high school athlete and sets his sights on a prize that many don't think he can win -- he then sets out to reach his goal alone, without! much support from his father or coach. His father rents a roo! m to a y oung drifter, Carla (Linda Fiorentino). Swain falls in love with her and she helps him stay focused and prevents him from losing sight of his goals. Although a lower-budget film than Flashdance or Top Gun, this movie is similar in theme and style. Madonna makes her first appearance in a major motion picture as a lead singer in a local band performing her hit songs "Crazy For You" and "Gambler".This film wraps up the big wrestling match that Terry Davis's novel left unresolved. It also makes Carla (Linda Fiorentino, in her screen debut) less of a bad girl. What it does capture is the book's flowing feeling of power and the possibility of youth. Probably best known for presenting a just-emerging Madonna singing "Crazy for You," Vision Quest also uses Matthew Modine nicely. He doesn't typify the usual coming-of-age youth, but his character, Louden Swain, isn't the typical youth, period. Swain needs to win the Washington State wrestling championship, and he's up against a! guy who carries logs up stadium steps. He's also involved with an older woman, Carla, and learning that love and all that stuff is much harder than pinning an opponent. Ah, youth. --Keith Simanton This witty, elegant, graceful and clever film (Los Angeles Reader) stunningly evokes the legendary milieu of Paris café society. Starring Keith Carradine, Linda Fiorentino, Genevieve Bujold,Geraldine Chaplin, Wallace Shawn and John Lone, The Moderns is 'tantalizing unabashedly romantic [and] a glowing evocation of an era (The Hollywood Reporter)! Paris, 1926. A time whenanything could happen and usually did. At the center of this world is Nick Hart (Carradine), a struggling painter who makes a meager living drawing caricatures at his favorite café. Nick longs for success and even agrees to forge masterpieces for a wealthy divorcée (Chaplin). But what he really desires is Rachel (Fiorentino), the seductive wife of an obsessively jealousand lethally dangerous busines! sman (Lone).This is a truly exceptional item! A high quality p! oster pr int measuring 24x36 inches professionally printed on quality Kodak photographic paper. This is no ordinary cheap commercial poster on thin art paper. Our poster is produced on real photo paper by our experienced photo technicians here at Moviestore. We guarantee that you will be delighted with the look, feel and overall stunning quality of your purchase. We offer a full refund of your money if you are not fully satisfied! Buy with confidence from Moviestore.

Sexy Forever: How to Fight Fat after Forty

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Black Rainbow

  • Martha Travis (Rosanna Arquette) is a medium who makes contact with spirits "on the other side" and connects them with their loved ones still alive, in public performances. Trouble begins when she gives a message to Mary Kuron (Linda Pierce) from her husband, Tom (Olek Krupa). But Tom isn't dead. yet. And Martha not only knows he will die, she also knows who killed him. And the murderer knows
Martha Travis (Rosanna Arquette) is a medium who makes contact with spirits "on the other side" and connects them with their loved ones still alive, in public performances. Trouble begins when she gives a message to Mary Kuron (Linda Pierce) from her husband, Tom (Olek Krupa). But Tom isn't dead... yet. And Martha not only knows he will die, she also knows who killed him. And the murderer knows she knows....

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